David Rosand on Veronese’s Mary Magdalen
The late Venetian art historian David Rosand contributed an essay on a Veronese painting in the same June 2011 edition of the Burlington Magazine that featured Renata Segre’s discovery of the inventory of Giorgione’s estate. Segre’s archival find attracted much attention but Rosand’s essay provided much more insight into the work of Giorgione and other Venetian Renaissance artists.*
Paolo Veronese: The Conversion of Mary Magdalen, c. 1548 National Gallery, London, oil on canvas, 117.5 x `63.5 |