With a smile one could say that he also took up ‘permanent residency’ at Sydney’s Museum of Contemporary Art (MCA) – becoming their first artist-in-residence for a year in 1992. Later, in 1999, he was the first artist to be granted a solo exhibition at the MCA and now, twenty years later, as far as I am aware, he is the first and only artist to hold two solo shows at this young and prestigious institution at Circular Quay. He was also the first, or one of the first artists commissioned to execute a giant mural for the new foyer of the MCA when it opened after its renovations with a sprawling frieze-like composition that made poignant comments on Australia’s attitudes to the ’boat people’, to climate change and global pollution.
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The mausoleum of Qin Shi Huang in Lintong County, outside Xi’an in Shaanxi province, China, about thirty-five metres underground, is a very popular tourist site and presently attracts about 30,000 visitors a day. In all, it is estimated that there are about 8,000 warriors, 130 chariots, 520 horses, 150 cavalry horses and other pits containing non-military figures, including court officials, acrobats, performers, bureaucrats and musicians. Only a fraction of this huge figurine group has been fully excavated.