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Doni Tondo: Nudes and Nephilim

In recent years the five nude young men in the background of Michelangelo’s Doni Tondo have received as much, if not more, attention than the Holy Family in the foreground. There would appear to be no agreement as to who they are or what they represent. Among other things, they have been variously interpreted as angels without wings, sinners, penitents awaiting Baptism, figures from pagan antiquity, or figures from the Old Testament.

In a paper, entitled “Michelangelo’s Doni Tondo: Holy Family and Family Myth,” Andree Hayum concentrated on the scene in the background. She noted the many different interpretations offered for the five nude men, but found the source in the Old Testament account of the drunkenness of Noah. She saw an obvious connection between the young men and Michelangelo’s famous depiction of the Noah story on the ceiling of the Sistine chapel.

The Origins of The Plan: Forma Urbis Romae (between 203 and 211 CE)

The Forma Urbis Romae or Forma Urbis Severiana was a very large map of the imperial city of Rome (18 m long by 13 m high) carved on 151 marble slabs arranged in 11 rows, made under the reign of Emperor Septimius Severus, (between 203 and 211 CE). The 235 sqm map hung on a wall of an aula of the Templum Pacis (Forum della Pace). The same wall was later transformed into an exterior wall of the church of SS. Cosmas and Damian.

The Forma Urbis is one of the most extraordinary documents from imperial Rome and is a major source for the history of the city. The quality of the plan also documents Romans’ ability in realizing accurate topographical analysis and land surveys, in producing a perfectly orthogonal projection as well as their extremely developed skills in architectural and cartographic representation.

 

Carettoni Plates (1960)
Carettoni, Gianfilippo; Colini, Antonio; Cozza, Lucos; and Gatti, Guglielmo, eds. La pianta marmorea di Roma antica. Forma urbis Romae (Rome 1960).

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