On April 15, 2019, the world watched as the Cathedral of Notre Dame caught fire, destroying much of one of the most important buildings in the world. Parisians came out in support of their beloved cathedral, while others began to reflect on the importance of the cathedral in their lives. At SAAM, we started looking at the works in our collection that depicted Notre Dame, and asked Senior Curator Eleanor Harvey, to give us some background on why the cathedral has been beloved by American artists for years.
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If you happen to be in Belgium this week, don’t miss Watching You Watching Me. A Photographic Response to Surveillance, a show at BOZAR which makes it clear that technology has left us with nowhere to hide. We knew that already of course. Edward Snowden’s NSA revelations have pulverized any dream of internet as a space for free and uninhibited exchanges.
Watching You Watching Me explores how artists are responding to the world’s transformation into a vast tech-mediated panopticon. Some of the artists reveal the efforts deployed by governments and corporations to monitor our online thoughts and ideas, with no concern for our privacy and freedom of expression. Others make visible the new forms digital self-surveillance and ‘virtual vigilantism’ facilitated by social media and access to webcams across the world.
I feel like i’ve blogged about surveillance/sousveillance hundreds of times already but i was impressed with this show, it is solid, enlightening and should appeal to the wise and the uninformed alike. It closes on Sunday so be quick and visit it if you’re in the area. Here’s a quick overview of the works on show (i only skipped the ones i wrote about in the past):
Julian Roeder, Thermal Imaging Camera, 2012. A portable, long-distance infrared thermal imaging surveillance system used by a Bulgarian Frontex unit