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“The Thinking From Old”

NASA ID: GSFC_20171208_Archive_e001362, A Monster in the Milky Way Center: GSFC Creator: NASA Goddard.

“The Thinking from Old”

“Metals cover over,

the Mirror returns the Light,

from the Outside it cannot be seen,

not without the Passing,

very great are Their multitudinous speeds,

all of Them compacted like the smallest of atoms,

the Outermost band is marvellously deep that Light itself is held,

the Outermost band keeps It safe”

 

by Matt The Unfathomable Artist, copyright ©7th April 2019

This is all I can comprehend of this phenomena in the present time

________________________________________________________________________________________________________

Original NASA website link A Monster in the Milky Way reads as follows:

This image shows the star-studded center of the Milky Way towards the constellation of Sagittarius.  The crowded center of our galaxy contains numerous complex and mysterious objects that are usually hidden at optical wavelengths by clouds of dust — but many are visible here in these infrared observations from Hubble.  However, the most famous cosmic object in this image still remains invisible: the monster at our galaxy’s heart called Sagittarius A*.  Astronomers have observed stars spinning around this supermassive black hole (located right in the center of the image), and the black hole consuming clouds of dust as it affects its environment with its enormous gravitational pull.  Infrared observations can pierce through thick obscuring material to reveal information that is usually hidden to the optical observer.  This is the best infrared image of this region ever taken with Hubble, and uses infrared archive data from Hubble’s Wide Field Camera 3, taken in September 2011. Credit: NASA

Image shown above courtesy of NASA.

Spatializing Knowledge: Giulio Camillo’s Theatre of Memory (1519-1544)

Giulio Camillo Delminio (1480-1544) was an Italian Renaissance polymath. His most famous project, started in ca.1519 and carried on until his death, was “The Theatre of Memory,” an ideal architectural structure destined to “tener collocati e a ministrar tutti gli umani concetti, tutte le cose che sono in tutto il mondo” (“locate and administer all human concepts, everything which exists in the whole world”), as he wrote in his treatise L’idea del theatro.

Camillo imagined the theater as a wooden structure formally based on the Vitruvian description of the Roman theater from the De Architectura. However, he reversed the canonical relationship between audience and stage, because he conceived the theatre for a single spectator located on the stage.

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