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Guan Wei – from Beijing to Sydney and back to Beijing

Picture

Guan Wei, exhibition at the MCA 2019, general installation view, photograph S Grishin
The affable Guan Wei has been a fixture in the Sydney art scene for a quarter of a century. Although he belongs to the same generation of artists who fled China in the wake of the Tiananmen Square massacre of 1989, Guan Wei had come to Australia months earlier for a residency at the Tasmanian School of Art. When he popped back to China and saw what was happening, he returned to Tasmania and then gravitated to Sydney where he took up permanent residency in 1990.

With a smile one could say that he also took up ‘permanent residency’ at Sydney’s Museum of Contemporary Art (MCA) – becoming their first artist-in-residence for a year in 1992. Later, in 1999, he was the first artist to be granted a solo exhibition at the MCA and now, twenty years later, as far as I am aware, he is the first and only artist to hold two solo shows at this young and prestigious institution at Circular Quay. He was also the first, or one of the first artists commissioned to execute a giant mural for the new foyer of the MCA when it opened after its renovations with a sprawling frieze-like composition that made poignant comments on Australia’s attitudes to the ’boat people’, to climate change and global pollution.

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