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How to secure a country. From Border Policing via Weather Forecast to Social Engineering

How to Secure a Country. From Border Policing via Weather Forecast to Social Engineering—A Visual Study of 21st-Century Statehood, edited by Salvatore Vitale and Lars Willumeit. With essays by Roland Bleiker, Philip Di Salvo, Jonas Hagmann, Salvatore Vitale and Lars Willumeit.

Lars Müller Publishers writes: Switzerland is well-known as one of the safest countries on earth and as a prime example of efficiency and efficacy. One of the central reasons that such a country exists is the development of a culture based on protection, which is supported by the presence and production of national security. When in 2014 Swiss people voted in favor of a federal popular initiative “against massive immigration,” Salvatore Vitale, an immigrant living in Switzerland felt the need to research this phenomenon in order to comprehend where the motives for this constant need for security originate and how they became part of Swiss culture.

In How to Secure a Country Vitale explores this country’s national security measures by focusing on “matter-of-fact” types of instructions, protocols, bureaucracies, and clear-cut solutions which he visualizes in photographs, diagrams, and graphical illustrations. The result is a case study that can be used to explain the global context and the functioning of contemporary societies.

Post Hoc, a litany of obsolete inventions and phenomena

Defunct television channels, destroyed artworks, missing aircraft, cancelled military projects, former nations, extinct birds, list of sinkholes, discontinued burial techniques, tornadoes, failed banks, discontinued fragrances, obsolete aeronautical machines, etc.

This year, the New Zealand pavilion at the Venice Art Biennale will feature lists of inventions, life forms, phenomena and “things” that no longer exist. The work traces a kind of “history of progress” through the history of obsolescence. Although the “things” listed are now lost to us, their existence still lingers in the present. We might not see them anymore but they’ve made this moment possible.


Dane Mitchell, Post hoc, 2019, Digital Working Drawing

Plastic Capitalism. Contemporary Art and the Drive to Waste

Plastic Capitalism. Contemporary Art and the Drive to Waste, by Amanda Boetzkes, Professor of Contemporary Art History and Theory at the University of Guelph in Ontario, Canada.

Amazon USA and UK.

Publisher MIT Press writes: Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.

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