Foto/Industria in Bologna is, according to its organisers, the only photo biennial in the world devoted to industry and work. I found no reason to disagree with them. The focus of this year’s edition is the technosphere: the ecosystem of technology humans have layered over the Earth to ensure their dominion over it. It is so vast that a 2016 study from the University of Leicester Department of Geology estimated the weight of its physical structure at 30 trillion tons, a mass of more than 50 kilos for every square metre of the planet’s surface.
The biennial sounded like yet another good excuse to take a train to Bologna. Which i did. Last Thursday. I’ll write about the biennial in the coming days but right now i’d like to spend the afternoon writing about an exhibition that suggests that the technosphere has started to invade our bodies. Even though me might not always realise it.
Matthieu Gafsou has spent 4 years researching transhumanism, a movement looking towards science and technology to drastically improve human cognitive, mental and physical performances. The project saw him travel the world to visit research labs, cryo-preservation facilities and meet the advocates of transhumanism and the “everyday” people whose sheer survival depends on technology.
His H+ (the abbreviation of transhumanism) series suggests that each of us is a bit of a transhumanist. Smartphones might not be embedded inside our bodies but we’re grown dependent on them. Most of us can’t imagine functioning in society without these “memory prostheses.” They have given us new powers. And stolen a few we used to have (the ability to find our way in a new city or remember friends and family’s numbers.)
H+ includes contact lenses, “superfood” bars, LED light anti-ageing face masks, orthodontic braces, pacemakers and vitamins in the panoply of the unsuspecting transhumanist. They now seem very common and prosaic. Self-implanted magnet to feel magnetic fields and nootropics, however, unquestionably slide into transhumanist territory. You don’t depend on them to be alive or healthy.
And how disturbing is -to some of us- the cryopreservation of patients? Or the quest for immortality? The exoskeleton “capable of turning a soldier into a nearly inexhaustible war machine”? Some of these go far beyond the limits of medicine, they “optimise” us, they suggest that each of us is a mass of flawed cells and functions, a machine perfectible ad infinitum.
In the exhibition, each photo, each illustration of a humanity struggling to shed its perfectible forms and mortal limits is given the same treatment. There’s no hierarchy. Some images are explained. Others are not. It’s up to you to connect the dots and decide what is “normal” and what constitutes (now) a presumptuous pursuit to sidestep the limits our human condition.
Below are some of the images of the H+ series with comments by the photographer. I’ll let you meditate on them while i’ll hunt my book shelves for a battered copy of Seneca’s De Brevitate Vitae: