The province of Groningen in The Netherlands has the largest gas field in Europe. Since the early days of extraction in 1959, the field has produced billions of cubic meters of the natural resource. The exploitation is a lucrative business but, because the extraction process is causing earthquakes, it is also ruining the lives of the local residents. Many of the houses in the area have been so badly damaged by the man-induced earthquakes that they are uninhabitable.
Sissel Marie Tonn‘s artwork The Intimate Earthquake Archive is an attempt to understand and communicate the psychosomatic effects that these man-made seisms have on the people who live in the area. The research behind the installation combined an exploration of the vast amount of data available in scientific archives (from core samples to sand and soil lab tests, to data on seismic activity recorded by the Dutch Meteorological Institute or KNMI) with a collection of the personal stories told by the inhabitants of Groningen, who describe how they feel the earthquakes passing through their bodies and homes.
The artist collaborated with sound artist/composer Jonathan Reus to turn the digital siesmic archive of the KNMI into a tactile archive, one which can be physically accessed and experienced by the visitor through their body when they don a specially-designed waistcoat with embedded surface (skin) and bone conduction transducers.
The artists have selected 12 earthquakes of cultural and political significance to be part of this sensory archive, and have worked to transform these data sets into vibratory compositions that move across the body and at the subsurface of the skeleton, producing a composition of tremors on the surface of the body – in the same way the seismic waves move across the land.
The Intimate Earthquake Archive is not only an interactive installation that invites “deep listening” within the body but also a reflection on how anthropocentric geological changes might be recorded, experienced and how they can be reproduced for other people in order to help them attune themselves to a future marked by man-made geological changes.
Sissel Marie Tonn, The Intimate Earthquake Archive, 2017. Video by Tanja Busking
I was supposed to go and experience the work back in February when it was exhibited at STUK in Leuven (Belgium) during the Artefact festival.