Tattoo
Art on the skin
A rite of passage, a sign of transgression, a symbol of youth and rebellion or simply an expressive language for contemporary artists.
TATTOO. L’arte sulla pelle / TATTOO. Art on the Skin, a show that opened a few weeks ago at the MAO, the Museum of Oriental Art in Turin, explores the cultural, social and artistic dimensions of tattoos.
The exhibition is a joy to visit. Not only does it present artifacts and information related to tattoos in Japan, Pacific Ocean and in the South East of Asia throughout history but it also makes them enter into a dialogue with bikers, Russian and Italian criminals, skinheads, Hollywood movies and Delvoye’s tattooed pigs.
I’ve blogged about tattoo in culture numerous times already so i’ll just take the lazy road and leave you with lots of links and images and very few texts:
Olive Oatman was probably the first occidental woman who was exhibited in public for her tattoos. Her parents were killed in 1851, when she was fourteen, by a Native American tribe who later sold her and her sister to the Mohave people. The Mohave people tattooed both of the girls to welcome them and help them integrate better in their society. After several years with the Mohave, she returned to white society.
Ross Sinclair initiated his Real Life project in 1994 when he had the words ‘Real Life’ tattooed across his back. Since then it has grown into a 20-plus year performance project, taking form in a wide range of exhibitions, mediums and publication contexts.
Mary Coble had 80 insulting words tattooed without ink in front of a live audience over the course of two days. Blood impressions on paper were made of each word to generate a set of unique paintings.
Sorry for the poor quality of the photo below. I took it with my phone while visiting the show. I couldn’t find a better quality of image online but still wanted to mention the work of Nico Mingozzi. I love what he does.
Italian criminologist Cesare Lombroso believed that criminals could be distinguished from noncriminals by physical anomalies. The “born criminal” could be anatomically identified by such features as a sloping forehead, asymmetry of the face, prognathism, bloodshot eyes, excessive length of arms and other “physical stigmata.” Moreover, for Lombroso, criminal appearance was not just inherited, it could also be judged through superficial features like body tattoos. Several objects and drawings from the archives of the Museum of Criminal Anthropology “Cesare Lombroso” in Turin illustrated the kind of links his theory made between tattoos and criminality.
Plinio Martelli added colours to images he found in judicial archives. The photos show people who had mythical creatures, scenes of violence, or esoteric, erotic or religious symbols tattooed on their skin.
TATTOO. L’arte sulla pelle / TATTOO. Art on the Skin was curated by Alessandra Castellani. The exhibition remains open at the MAO, the Museo d’Arte Orientale in Turin until 3 March 2019.
Link to Régine’s original article here.
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