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La Gioconda in an extraordinary adaptation · Kazan, Russia · Photo by Gerhard Guffler
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Shared art - Elevator door in Hotel Lebua at the State Tower, Bangkok, Thailand.
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Experts. National Museum of China in Beijing. Photo by Gerhard Guffler
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The german Masterpainter Philipp Weber in New York City
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Spectacular location: The Thyssen-Bornemisza Museum in Madrid, Spain
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Preparing for the photoshooting - young model in Seoul, South Korea
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Art that lives. Spanish children in front of a work of the master Antonio Castello Avilleira. Photo by Martin Llamedo
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Ad Reinhardt: Blue Paintings - David Zwirner Gallery, New York City
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Art, well-dosed. Devotional items at the Guggenheim Museum in Bilbao.
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Contemporary Art at the National Museum of China in Beijing
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Street Art. Bordeaux/France. New harbour area. Photo by Nyx
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Fantastic multi-media presentation by TeamLab (Japan) at Pace Gallery in Beijing · Photo by Erik Olsson
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The triple Helnwein. Discovered at Modernism, San Francisco · Photo by Jon Kim
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Hidden view to North Korea? Youngeun Museum - Gyeonggi-do, South Korea. Photo by Takashi Moto
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Exciting neighborhood: street art and commerce - discovered in Santa Cruz de Tenerife.
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Escape · Fondation Maeght · Photo by Takashi Moto
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Discovery in a gallery in Stockholm: The daughter of the famous ceramist Leo Grilli from Gubbio, Umbria.
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Impressive typography in Seoul-Jikhalsi, South Korea · Photo by Takashi Moto
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In search of identity. Detail of Alexander Timofeev "Beginning" · Oil on canvas, 100 x 100 cm, 2015.
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What does Marylin think? Impression from the Halcyon Gallery, London
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A wedge? Outstanding architecture! The new area in the Hermitage. Photo by Takashi Moto.
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Grandiose swing: Church of St. Michael, Hamburg. Photo by Gerhard Guffler.
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Sculpture of sitting men, France. Photo by Anja Helmchen.
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Lively streets in New York City. Photo by Mick Rogers.
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Accord. Städel-Museum, Frankfurt/Germany · Photo by Takashi Moto
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The truck. Christmas. New York City. Photo by Vince Ryan
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Currently out of Malaga/Spain: masterful sensitive drawing of the artist Aurelio Rodriguez Lopez.
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West meets east. Shopping in Guangdong, South Korea. Photo by Kwon KyungYep
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A touristic reminiscent of a great artist. Discovered at Central Park in New York City. Photo by Danielle Lemond
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Re-use: Work aid for the German painter Philipp Weber. Photo: Johannes Mencke
image of the week

Two Exhibitions at Iris Clert Gallery, Paris: Yves Klein’s Le Vide (The Void, 1958) and Arman’s Le Plein (The Full-Up, 1960)

Recently my work with color has led me, in spite of myself, to search little by little, with some assistance (from the observer, from the translator), for the realization of matter, and I have decided to end the battle. My paintings are now invisible and I would like to show them in a clear and positive manner, in my next Parisian exhibition at Iris Clert’s.

(Stich, Sidra. Yves Klein. Hayward Gallery. London, 1994.)

On April 28, 1958, French artist Yves Klein opened his first -landmark- exhibition at the Iris Clert Gallery in Paris. The show, called La spécialisation de la sensibilité à l’état matière première en sensibilité picturale stabilisée, Le Vide (The Specialization of Sensibility in the Raw Material State into Stabilized Pictorial Sensibility, The Void), took place in a less than 20sqm gallery completely emptied of objects: all items were removed from the gallery space apart from a display case and all walls were painted white by the artist himself during a 48 hours isolation.


Yves Klein, Le Vide, Galerie Iris Clert, 3, rue des Beaux-Arts, Paris, France 209 x 122 x 110 1/2 inch Photo : © All rights reserved © The Estate of Yves Klein c/o ADAGP, Paris
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